Mammoth thanks to Schnellegeister Hexenwolf for sharing Mansi Mythology with me and making this entry possible!

Variations: Witkəś-ōkja (male), Witkəś-ēkwa (female); Witkul’, Witkul’-ōkja (male), Witkul’-ēkwa (female)

The Witkəś is a creature from the mythology of the Mansi people of Russia. It is one of the few mythical creatures unquestionably derived from paleontological evidence – in this case, from the remains of woolly mammoths. Witkul’ is a synonym, apparently related to locality – witkul’ are found in lakes, and witkəś in rivers.

The name of the witkəś or witkul’ is derived from wit, “water”. A witkəś lives in the depths of the water, as evidenced by the location of mammoth tusks and bones on riverbanks. The tusks were believed to be antlers, shed by the witkəś much like reindeer and elk do. Since there are witkəś bones in evidence, the witkəś themselves are believed to be mortal creatures that avoid contact with humans. Their shapes are undefined, with some traditions anthropomorphizing them, dividing them into male witkəś-ōkja and female witkəś-ēkwa. They have been known to invite guests underwater to drink tea.

Along the Sos’va River it was believed that old bears and elks would gorge themselves on earth, then sink into the water to become water spirits. In lakes they would become witkul’, while in rivers they became witkəś.

The witkəś and witkul’ are tireless diggers, excavating holes and river channels to direct the course of the water. A witkul’-ēkwa was believed to have dug out the Lyapin River, and a witkul’-ōkja made the big lakes of the Sos’va River. On the other hand, the witkəś on the Tavda River would pull horses into the water, and its appearance was an omen of impending death.

Nobody fishes in lakes where witkul’ live. Even birds fly around them. Any living creature that comes near may be pulled in. A witkəś can be found in every whirlpool in a river, and they enjoy drowning anyone who enters their domain. One way to scare off or kill a witkəś is to fill a boat with salt, pitch, and gunpowder, and set up a scarecrow decoy for good measure before setting the boat on fire and pushing it out to the whirlpool to be swallowed. The witkəś will be fatally maimed by the explosive boat, and when its dying groans are heard, that is when it is safe to return to the water.

Around Berezovo it was traditional to sacrifice a reindeer to the witkəś at the time the ice began to drift, tossing the skin, bones, and blood of the animal into the whirlpool. Elsewhere items such as copper cauldrons would be tossed into whirlpools as offerings to the witkəś. Once an old man stole a silk handkerchief with silver coins that was meant for the witkəś. His boat was immobilized, and a witkəś over ten meters long appeared, accusing the man of theft. The kerchief was thrown into the water, and the boat began moving again immediately.

References

Napolskikh, V., Hoppál, M., and Siikala, A. (2008) Mansi Mythology. Akadémiai Kiadó, Budapest.

Variations: Njoka Tambala (Malawi); Bubu (Shupanga, Mozambique); Hongo (Ngindo); Indlondlo (Zulu); Inkhomi (“Killer”, Nyakyusa); Kovoko (Nyamwezi); Limba (Chitipa District, Malawi); Nguluka (Chitipa District, Malawi); Ngoshe (Bemba); Noga-putsane (“Goat-snake”, Botswana); Songo, Songwe (Yao); Black Mamba, Dendroaspis polylepis

Crowing Crested Cobra is a blanket term used for a number of crested, noise-making venomous snakes. It is one of the most widespread legends in East African folklore, and it is also known from the West Indies, especially Jamaica and Santo Domingo.

A crowing crested cobra is a snake similar to a cobra with a crest on its head and capable of making sounds like a rooster. Those sounds range from crowing to clear bell-like notes to bleating. Sometimes wattles are present as well. The snake is venomous and very dangerous.

Livingstone reported the death of a little girl in Mozambique caused by an enormous snake that dashed at the child, bit her, and made off into a hole. This snake was known as Bubu to the people of the area, and they describe it as twelve feet long, dark with a dirty blue color under its belly, and with red markings on its head like the wattles of a rooster. It will hide in a tree and strike passers-by one after the other, killing them in short order. To protect against it, a pot of boiling water or porridge should be carried on the head. The snake will try to bite that and kill itself in the process, or at least get scalded and discouraged from future attempts. Nonetheless, Livingstone admits that one “will probably recognize the Mamba in this snake”. He also makes separate mention of another, different snake that makes a sound like the crowing of a cockerel, adding that “this is well authenticated”.

Shircore claimed to have in his possession the bony skeleton of the fleshy comb as well as part of the neck with some vertebrae in it, five lumbar vertebrae, and a single 22-mm by 16-mm dorsal vertebra from a very large snake. He describes the crowing crested cobra as growing 18 to 20 feet long. It is buff-colored, with a red crest that points forward. The male has wattles as well. There is no hood like a cobra’s. The head is small for the size of the body, while the bones of the skull are denser than usual. It moves very fast and can climb trees. The male crows like a rooster, while the female clucks, te te te te. Both sexes make a warning sound, chu chu chu chu, repeated rapidly. Shircore also attributes to the crowing crested cobra or Inkhomi a diet of maggots, explaining that it kills indiscriminately to create more food for maggots. It is tolerated around villages, where mutual respect keeps it and humans apart. It is also intimately associated with sorcery and witchcraft; chieftains and witch doctors wear pieces of it, and parts of its body are used in curative preparations. Parts of the snake in mixtures amplify the potion’s effects. Shircore gives it a range of the lower Zambezi in the South to Victoria Nyanza in the North, Lake Tanganyika in the West, and the Indian Ocean in the East.

Loveridge equates the crowing crested cobra with the black mamba (Dendroaspis polylepis). Tellingly, he also gives songo and songwe as the native names of the black mamba – and Shircore also gives songo as the name of the crowing crested cobra.

Similarly vocal snakes are found throughout East Africa. The Limba of Malawi is crested and crows. It can be found in the Mafinga Ridge. The fierce Nguluka has the head of a snake on the body of a guineafowl. Noga-putsane, the “goat snake” or “serpent of a kid”, bleats like a goat to attract its victims. Livingstone claimed to have heard one calling from a spot where no kid could have been. The Zulu plumed viper Indlondlo is also known to bleat. Finally, even the umdlebe or dead man’s tree, said to kill anyone that approaches it and strike birds dead in flight, is said to bleat like a goat!

Rationalizations for the combinations of features include a snake trying to eat a loudly protesting rooster, and a snake that was sloughing its skin, with pieces of dead skin giving the impression of a crest and wattles around the head. The snake and rooster are strongly involved in voodoo belief, which give a cultural background to the creature. The resemblance to the basilisk is also notable.

Calls attributed to the crowing crested cobra are usually the work of rails. These are small, retiring birds with a tendency to call at dusk or at night. Flufftails in particular have particularly haunting calls. The call of the buff-spotted flufftail (Sarothrura elegans) has been connected to the crowing crested cobra, as well as to banshees, to a chameleon giving birth, to a chameleon mourning for its mother which it accidentally killed in a squabble over mushrooms, and to giant snails.

References

Collins, W. B. (1959) The Perpetual Forest. J. B. Lippincott Company, Philadephia.

Hargreaves, B. J. (1984) Mythical and Real Snakes of Chitipa District. The Society of Malawi Journal, Vol. 37, No. 1, pp. 40-52.

Hichens, W. (1937) African Mystery Beasts. Discovery (Dec): 369-373.

del Hoyo, J.; Elliott, A.; and Sargatal, J. (eds.) (1996) Handbook of the Birds of the World vol. 3. Lynx Edicions, Barcelona.

Livingstone, D. (1857) Missionary Travels and Researches in South Africa. John Murray, London.

Loveridge, A. (1953) Zoological Results of a Fifth Expedition to East Africa III: Reptiles from Nyasaland and Tete. Bulletin of the Museum of Comparative Zoology at Harvard College, 110(3), pp. 143-322.

Parker, H. W. (1963) Snakes of the World. Dover Publications, New York.

Shircore, J. O. (1944) Two Notes on the Crowing Crested Cobra. African Affairs, 43(173), pp. 183-186.

Stuart, C. and Stuart, T. (1999) Birds of Africa. The MIT Press, Cambridge.

Waller, H. W. (1874) The Last Journals of David Livingstone in Central Africa, v. II. John Murray, London.

Variations: Collapsofemoris geocatapeltes (Cox)

The Tripodero of the Californian chaparral and foothills defies all scientific attempts at classification. Its small, strong body stands on two telescopic legs, with a kangaroo-like tail balancing it behind. As its legs can be collapsed or extended at will, the tripodero can stand tall over the brush, or crawl easily through the undergrowth. The tripodero’s face is all nose, with a storage pouch in its left jaw.

When a tripodero sees potential prey from its elevated vantage point, it sights down its snout and fires a clay slug, a supply of which is kept in a cheek pouch. Tripoderos have perfect aim and shoot with pinpoint accuracy. The clay pellet stuns the victim, allowing the tripodero to come in and devour it, bones and all.

Unlike other fearsome critters, the tripodero is associated primarily with construction sites, railroads, and engineering projects.

References

Brown, C. E. (1935) Paul Bunyan Natural History. Madison, Wisconsin.

Cox, W. T. (1910) Fearsome Creatures of the Lumberwoods with a Few Desert and Mountain Beasts. Judd and Detweiler, Washington D. C.

Dorson, R. M. (1982) Man and Beast in American Comic Legend. Indiana University Press, Bloomington.

Tryon, H. H. (1939) Fearsome Critters. The Idlewild Press, Cornwall, NY.

The Snawfus is an albino deer from the folklore of the Ozarks in Arkansas and Missouri. It has supernatural powers but is not dangerous. Some say it can jump into the treetops with ease, while others grant it feathery wings that along with to fly without making a sound, much like an owl. Some accounts give it flowering boughs for antlers.

Leila A. Wade of Republic, Missouri, extensively studied the snawfus, and reported that it gave off spirals of blue smoke. The blue smoke emitted by the snawfus drifted off and cloaked the Ozark hills in a magical blue haze, which can still be seen in autumn.

References

Randolph, V. (1950) Fabulous Monsters in the Ozarks. The Arkansas Historical Quarterly, 9(2), pp. 65-75.

Rayburn, O. E. (1960) Some Fabulous Monsters and Other Folk Beliefs from the Ozarks. Midwest Folklore, 10(1), pp. 27-32.

Going on hiatus indefinitely, at least for the summer.

Will probably talk more about it later.

I’ve been putting off writing this for a long time, but in the end I had to do it to give you – the reader – some kind of closure. Some kind of explanation, really.

I don’t think I can continue ABC any longer – at least, not as long as things continue to be as they are.

Why? Several reasons.

I think I made it clear at some point that, to my eternal shame, I am Lebanese. Which is one of the worst nationalities to curse your child with. Right now we are running out of fuel, electricity, medicine, education, food, and water. The country is in a death spiral, and every time we think it can’t possibly get worse, it gets worse. I cannot continue to write and draw as long as I live here.

The other reason is that ABC is going nowhere. I think I also made it clear that I hoped to publish ABC in some form. Unfortunately as the years dragged on it became obvious that that wasn’t happening either. My attempts to contact publishers failed. My attempts to contact agents failed. My attempts to contact at least one artist resulted in blatant ghosting. There’s no reason for any author or artist to collaborate with me since everything is already online – all they have to do is use my references without citing me and do their own thing, without having to burden themselves with me.

“Just do patreon or self-publish or something!” I can’t. Most crowdfunding sources don’t work here. I can’t accept any money in this country because the banks will steal it. And if I manage to escape the country, as long as I retain my garbage nationality, I won’t be able to make money outside of what the strict visa rules will allow. So that’s not happening either.

I was fine doing ABC as a hobby. But now it’s impossible to enjoy doing it anymore when I feel that both it and me have no future, and I can no longer continue doing something that I feel is completely hopeless. How long have I been doing this? Feels like forever, and yet it doesn’t feel like my audience has grown at all, like anyone cares.

So the hiatus will go on… indefinitely, I guess. Unless a miracle happens and my life improves enough that I don’t mind doing this for nothing anymore.

Until then, I’m sorry. And I hope you enjoyed this project while I was at it.

Suppose I were to hypothetically perhaps maybe return to updating ABC. Would that be a good thing? Trying to gauge interest here.

Happy New Year! Let’s make this the year of the dragon!